Production & Promo

#477

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#478

Hello, I’ve dropped a track as Bit Cloudy today, Temple Deadbeat.There’s some creamy organs, synth harp, bass and beats in there. x
Bandcamp https://bitcloudy.bandcamp.com/track/temple-deadbeat
Soundcloud https://soundcloud.com/bitcloudy/temple-deadbeat-single
Spotify https://open.spotify.com/track/4HayGBr8v4oLrS4bd22iWW?si=0hUZ_YjyQHuwtAftDtYhpw

#479

Fantastic EP you made here. Missed it somehow !

#480

Thought people here would enjoy this!

#481

nice. Reminds me of old Medeleyev.

#482

After two years of hard work, we release our first album as Sons of Achab: Fake Land Memories. In this album, we take you to an oneiric journey to the edge of imaginary lands coming from science-fiction works.There, hard rhythms and ethereal synths mingles, to evokes the contrasts of futuristic tales, between progress and dystopia.

Available (digital) on Bandcamp on our label Pamenides Records. This is full auto-produced, so we need your help to share this album as much as you can! :slight_smile:

#483

https://www.youtube.com/watch?v=5cUX_LDZUUc&feature=youtu.be

Hey guys, me and my friends realized a clip, i made the music and acted.

Hope you’ll enjoy it.

#484

ho ! thanks mate !! :pray::heart: :slight_smile:

#485

So, I made an EP for a friend who passed away and then somehow FACT got a hold of it and now suddenly this incredibly weird, slightly sad exploration of the different genres she loved has become one of my best-known works? The universe is weird. Hope u enjoy this, though <3

#486

‘Break In The Line’, the debut EP from NY/Berlin experimental pop duo ADORE ADORE, is out today on 48k. Four tracks from the edges of pop about love, growth, and catharsis.

Tracklist:

  1. Heal Myself
  2. Friday
  3. Emotional Rescue
  4. Break In The Line

Buy / stream here
We really love this record and are super excited to bring it to you today <3

#487

https://nikkinair.bandcamp.com/album/morphism

New one on the label, out now

"Nikki Nair is having a fine 2019. Well-known in his hometown of Knoxville, Tennessee - since 2014 he has been part of the TEKNOX crew, a collective who put on free, community-oriented dance events in the city - Nair has spread his wings in the past few months. Having already issued EPs through TRAM Planet, Discovery and Scuffed this year, Nair now debuts on Mr. Mitch’s Gobstopper Records with the Morphism EP.

Nair’s previous releases have taken in L.I.E.S.-esque freakbeat, rhythmic noise, elegant deep house and experimental techno. All of these styles are in the mix on Morphism, and Nair himself says that this is another record which has been made ‘with big soundsystems in mind’. However, Morphism also finds the producer making some intriguing left turns, coming up with edge-of-the-dancefloor explorations that align with the output of labels like Where To Now? and Don’t Be Afraid.

All of the tracks here are built around human voice sounds, and sometimes the original words are easy to discern. Opener ‘David’ syncs up the phrases ‘Clint Eastwood’ and ‘I want to go out west and shoot guns’ with a beat that sounds like Matmos attempting to recreate Björk’s ‘Human Behaviour’. ‘Joan’ features a female vocal repeating the word ‘always’ over a dubbed-out polyrhythmic production that draws from the Batida and Kuduro sounds of Lisbon’s PrĂ­ncipe imprint. It is in these moments that Nikki Nair most closely resembles Gobstopper’s previous release, BFTT’s Versioning EP.

The times when vocals become harder to discern are also the times when Morphism delivers its hardest-hitting tracks. This is no coincidence - Nair says that, to him, the record’s title ‘refers to the way the sounds and voices become something else when they get chopped and modulated in the track, the soundsystem in a room, or the listener’s brain.’ As such, it’s no surprise to find Morphism’s most abstract vocalisations paired with club-friendly rhythms. ‘Low Dimension’ sees Nair degrade his vocals to an overdriven bark, an effect that works well with the ghettotech-influenced drum programming. ‘Animals’ has some reedy harmonies hovering over a snapping electro groove. On closer ‘Free Kites’ vocals are used to fog up the beat, the highly processed singing (think Thom Yorke in Kid A mode) washing over a crisp four-on-the-floor.

A set of idiosyncratic, voice-led soundsystem experiments, Nikki Nair’s Morphism EP is the possibly the producer’s most unique release to date."

#488

A new split tape I put out with my mate a while back https://deathregister.bandcamp.com/album/breather-death-register

#489

TALLSAINTlogo-1

16/10/2019

  1. Forgetful
  2. Black Box
  3. Nowhere Like It
  4. Another Human Brain
  5. Dog in a Kennel

Something Curated Interview: https://somethingcurated.com/2019/10/16/interview-haich-ber-na-on-his-new-ep-everywheres-home/

#490

New track from me, St Lucian Dollars


I’m an admirer of gold panda, clark, lusine and chrome sparks

#491

originals mix 2016-2019 :slight_smile:

#492

Me new works are out on Only Ruins, UK Brighton label
 all tracks made surrounded by my anxieties, not going to clubs and electronic music. Art direction and design by Josh Geoghegan.

Released Digital & Vinyl too which is bangin <3

decided to try and mess with various types of samples, synths and speeds. I can’t seem to keep still on one consistent motif or “genre” throughout one release. Haven’t tapped into why I can’t just yet.

#493

New Track & Video!
:rose: Reggaeton Progresivo :rose:

#494

digging the new age vibes. :alien:

#495

Today I released my new ep “Terror From The Crate”. Acid house / ghetto house, and some uk bass / breaks influences too. Hope you dig! You can have a listen on bandcamp. https://squidbrain.bandcamp.com/album/terror-from-the-crate

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#497

This sounds sick man!