Production & Promo

#412

PLASICK EXPECIES

Current Moodboard
#415

Completely disillusioned with music as a whole right now, So posted this old track to try and make me feel apart of the scene again two nights Back

#416

The last couple ‘beats’ before I buckle down and start producing DnB and garage.

I reckon when I get to the 10th playlist post I’ll start turning heads. But for now enjoy a nice heavy beat and a beat for smoking a big fat zoot.

#417

The rhythm is addictive man. drums are perfect, melodies are smooth, vocals are bliss.

I can imagine this in a club midway through a set, a sort of break.
Maybe try different textures and undertones to bring out certain aspects of the track.

#418

Got a newwwww track done :slight_smile: Free download too. My remix of Secundus’s Ali Gold Chain fet Popplio and the mighty M.I.C.

#419

DOWNLOAD: https://hdmirror.bandcamp.com/album/art-of-destruction

MIXED VERSION (RINSE FM): https://soundcloud.com/rinsefm/hdmirror210619

:crossed_swords::crossed_swords::crossed_swords:

ALBUM%20POTENTIAL%2053

#420

dope record :star_struck:

#421

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Introducing SORRY TRAX VOL 1 :boom:
…an all purpose dance floor demolition kit fully loaded with all the rave missiles, DJ tools, and bootleg fireworks you need to move those butts at a moment’s notice.

Featuring trax from DRUMMy, Tony G, Stick Figure, Cranklin, and Malik Hendricks, SORRY TRAX VOL 1 is the label’s first ever V/A release and the inaugural installment in a new series of club-oriented trackpacks from Sorry Records.

Les Yeux Orange premiered the first single today! Hope y’all dig it.

#422

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Ariel Zetina Sorry Trax.jpg1284x856 147 KB

Listen to Ariel!!

#423

Music For Sleep - Infinite Tape Loops: The Edge

fans of Brian Eno, W. Basinski will love this release

#424

Hey all,

can anyone point me in the direction towards an analog-based mastering engineer?

I am working on my first full length and being that its experimental / multi-timbrel, i would love to have it run through some quality mastering gear to give it as much color as possible :slight_smile:

#425

Congratulations! Lewis at Stardelta (UK) is one of the best on the planet but mastering gear is designed to be transparent, not to add colour, quite the opposite. You need to make sure any colour/flavour/secret sauce is already in there long before mastering which in most cases is just setting the dynamic range and eq’ing out the room it was mixed in.

#426

Thank you so much!

And thank you for your insight - I’ve been under the impression that the mastering phase was a process that glues the individual tracks of an album together. I was also of the mind that the circuitry and behavior of analog signal processing added a sort of sonic seasoning lol

I’ll definitely be reaching out to Stardelta :slight_smile:

#427

B O M B A. dope production :sunglasses:

#428

put out a new album. noisy ambient weird beats and quiet pretty stuff sometimes

#429

I know stats are lame but I hit 50,000 plays on SC and I think that’s kind of a nice milestone. So here’s a new one that I’ve decided to give away for free. Hope you like it!

#430

For fans of 2814, OPN early stuff, Jon Hassell + Brian Eno, Not Not Fun and even italian library music such as Biologia Marina or Egisto Macchi’s Il Deserto.

Preorder here: https://mixedup.bandcamp.com/album/robinson-crusoe-lost-soundtrack

#431

https://soundcloud.com/cameospirit/sets/spirit-world-vol-2

short beat tape of experimental hiphop/electronic tracks
thanks for listening.

#432

It’s mad how people make all different kinds of music.

#433

Very textural but rave-influenced track I made for Biodiversita Records.

Full album, also for download over here: