There was a thread on this a while back, but have actually been reading like four books at once lately that I was just looking for the other thread to suggest.
@deeseejay Discographies is so dope…very late 90s in that it’s heavily reliant on a Derridean reading of popular music (how we’ve traditionally give preference to the voice over the body) but it’s informed a lot of my writing as of late. It also got me to step back from all my nuum research and dig deeper into sound-system history.
I recommended this in the other thread but honestly can’t recommend it enough: Lloyd Bradley’s Sounds Like London: 100 Years of Black Music in the Capital. Imho, it’s something that should be sold alongside Energy Flash as it just gives one wayyyy more context with which to understand the cultural infrastructures and rituals that were in place to facilitate rave, jungle, UKG, grime, and dubstep (and all subsequent sound-system music).
I also mentioned this before, but seriously, Kodwo Eshun’s More Brilliant than the Sun is not an easy read, but I would put it up there with any ‘essential’ book on music. He really writes more poetically than academically…though I’m just now re-reading it (on like chapter 3) and it’s making so much more sense to me than when I read it ten years ago.
The new edition has an intro by Steve Goodman (Kode9), who is the reason I started re-reading it–and why the research I thought was near an end got cracked wide open. Finally started reading Sonic Warfare and while it’s heavily academic, it’s also DOPE AS FUUUUCCCCCCK. __
It also got me reading Julien Henrique’s Sonic Bodies, which is essentially a sonic ontology…it’s heady but oh-so-dope. Don’t believe me? Here’s the intro that lays out his project and a book review from Dancecult (which you really should read as well for more academic papers on dance music…some of them make me want to pull out my eyes with a fork, but when they’re dank, they’re suuuuuuper dank.
Also in that issue on the dub diaspora is a review of the book that shares its title, Paul Sullivan’s Remixology: Tracing the Dub Diaspora and while I’ve only read the intro so far, it’s super promising.
Continuing this train of thought, Michael Veal’s Dub seems to be hella well-revered as one of the most probing studies of the genre and I have to agree with what I’ve read.
Oh, and lastly, I wasn’t familiar with Fred Moten but he’s the shit and his book In The Breaks is an interesting one on black music in America (amongst other things).
So yeah, so many other books to recommend, but this is what I’ve been jamming on…hope you dig!